Freedom Festival is THE event in Hull. It all began in 2007 in celebration of the 200th anniversary of the abolition of the slave trade, an act passed after decades of work by Hull-born independent MP, William Wilberforce. Since 2007 it has grown massively, and in 2018 the festival had over 130,000 visitors.
“Excellent arts and culture can change lives and communities, by transmitting fundamental human values and inspiring all ages to embrace and celebrate freedom. We’ve seen it. It may be no surprise then that our ambition is founded on the legacy of Hull-born freedom advocate, William Wilberforce” – Freedom Festival website.
Chris demoing Humber in a Box at Freedom Festival 2015
SeriousGeoGames has been involved in three previous Freedom Festivals, starting in 2015 when we demoed Humber in a Box, and including 2016 when the virtual reality version of Flash Flood! was demoed to the public for the first time. With the Earth Arcade, we have the perfect opportunity to take things to the next level, and the Earth Arcade at Freedom Festival really will be something special.
The name Earth Arcade is meant to loosely evoke a sense of Arcadia – a mythical utopia where human society and the natural world live together in harmony. This is the future we hope for, the future we are striving to build, and we hope to inspire others to come with us on that journey. To create our mini-Arcadia we have teamed up with colleagues from the University’s School of the Arts to design the exhibit.
We will be exploring the impacts of the world’s most pressing environmental issues through our activities Flash Flood! Vol.2, Plastic Fishing, Top Trumps: Rivers, and small games on our Ipad stations. You will be able to find out how climate change and sea level rise will impact our city, Hull, and the wider Humber through our new and improved Rising Tide game on our big screen.
Freedom Festival will also see the debut of an exciting new activity space. The Forest is something a bit different to the rest of the Earth Arcade, and sci-comm in general. It is a quieter, reflective, and mindful space where people can sit and think about nature, with a small library of stories and ideas and crafts and workshops to inspire people to engage with nature more. We will be using theatrical and scenographic techniques to help people engage, such as interactive soundscapes.
Finally, we will be offering advice on how people can respond to the environmental issues explored, offering them the chance to sign up to becoming an Earth Arcade Champion by committing to making small changes in their own lives.
It is going to be brilliant and we hope to see you there!
The Prague Quadrennial of Scenography and Design is a conference for theatre makers, unsurprisingly held in Prague every four years. Over 11 days, 15,000 people will attend the conference, making it a huge event. My wife, Amy, is a Lecturer in Theatre and Performance and was chairing a panel at the conference, so I decided to tag along – I did so four years ago and found it inspiring, check out my previous blog from then.
We have been conscious about our carbon budget so decided we would take the train instead of flying. Unfortunately, unless you pay out for an expensive sleeper train, the journey from Hull to Prague is a little too long to do in one day so we split our journey via Brussels. Our planned route was: Hull – London – Brussels – Frankfurt – Nurnberg – Cheb – Prague.
Our route plan for Hull to Prague
Day 1 went ok, but our first train on Day 2 inexplicably terminated at Koln. A guard suggested another route and marked our tickets as no longer having restrictions. Our new route involved a near seven hour train from Koln to Dresden, before a train on to Prague. We settled into our new train and enjoyed seeing a cross-section of Germany, including places like Dortmund and Hannover. All was fine until 40 minutes from Dresden when the train suddenly stopped outside Leipzig. We stayed, electric off, in silence for nearly an hour, missing our connection in Dresden, before limping back to Leipzig and being herded onto an overcrowded train to Dresden.
The view from the train, outside Leipzig
We arrived at Dresden to see the last train to Prague pull out of the station. The nice woman at Passenger Information pointed us towards the coaches and we ended up on a Flix Bus – the bus service for backpackers, we were the oldest ones on there. We arrived in Prague just after midnight. Thankfully, our return journey along the planned route but in reverse went without a hitch, with all six trains on perfect time – a surprise considering the atrocious weather across the UK at that time.
It was stressful and long, but watching the beautiful European countryside whizz by the window was nice, especially across the Czech Republic. The journey took a lot longer than flying and did cost more, so I appreciate that it is a privilege that we were able to travel this way. However, it does allow us to reduce the impact on the environment and society from our travel quite significantly – according to ecopassenger.org we reduced the CO2 we produced by nearly 348 kg, producing less than 24 % than if we flew.
The environmental concern did not end once in Prague – the city has excellent public transport and we travelled everywhere by trams and buying tickets via an App was super easy and convenient. Keep-cups and reusable water bottles are popular, and local shops have plastic bottle deposit schemes. We saw school students participating in the climate strikes, and public areas had information boards highlighting water issues in the country and worldwide.
Climate protests in Prague
Information boards in central Prague showcasing water’s importance to society
At the Prague Quadrennial, or PQ, countries (and regions, like Quebec) are invited to exhibit the best in their scenography and design over the past four years in about a 6m x 6m space. How they choose to do this is up to each country and there is a lot of variance and creativity on display. I was pleased to see several of the exhibits making use of VR but was a little disappointed that most did little more than show flat, low resolution, 360 videos on them – Ireland’s was notable as using high resolution, stereoscopic video, interlaced with graphics (including a creepy eyeball) to show the work of some of their best designers.
Several of the exhibits featured virtual reality, including some with modified headsets
Several of the exhibits chose environmental themes. I was taken by China’s exhibit as it revolved around a long distance train journey Chinese designers travelled to get to past PQ’s – in contrast to today, it was more expensive to fly so had to go by train.
China’s exhibit used lighting, projection, and mobile phones to showcase design inspired by a long distance train journey from China to Prague
Quebec explored whether reducing our use of resources was at odds with creative freedom, and asked whether the performing arts holds the key to renewed environmentalism. They showcased the best in eco-scenography and invited visitors to complete a questionnaire whilst powering a pedal-powered propeller.
Quebec’s exhibited highlighted their designs and use of eco-scenography
Switzerland used a ski-lift carriage and a canvas held on hydraulic rods to visualise snow depth data in three dimensions, responding dynamically as the data changed resolution on the screen – you had a different perspective whether you were on the ground or one the lift.
Switzerland’s ski-lift could visualise environmental data dynamically and in three dimensions
France was one of the winning exhibits and several I spoke to said that it had moved them to tears. On the outside, harsh lights displayed the warning “No Nature, No Future” and on the other side a smoke-filled room with haunting piano music was inhabited by shaking and shivering figures made of the waste of man-made materials. It was bleak and dystopian.
The conference itself engaged with environmentalism, with espresso-sized Keep Cups for sale, and an awesome scheme where if you bought a plastic bottle then Soda Stream, one of the sponsors, would refill it for free with fizzy, flavoured water – this was 200 czk (about £7) well spent, and I really want to buy a Soda Stream now!
The way the exhibits are put together is really inspiring and I have come away with lots of ideas which I will try and use in the Earth Arcade. Portugal’s exhibit, Windows, featured mirrored metal boxes with small holes to peer through – inside were lit up models of stage designs. I would love to use this to hide away scenes of possible futures based on climate scenarios – dare you look inside?
Portugal invited you to spy on miniature design scenes through small windows
Cyprus featured a board room table with a bubbling pool of water in the middle – what about hosting a dinner around this where the water rises and falls, occasionally floods, and dinner guests can choose to purchase food, wooden blocks to hold back water, or extra place mats to raise their dinner?
A board room with a risk of flooding, from Cyprus
In Hungary’s student exhibit you had to walk through hanging plastic sticks and as they cascaded against each other it sounded like rain – through the clear floor beneath your feet were examples of design, details you cannot see outside of the ‘storm’. This was so simple, yet so effective.
I was sad to leave Prague and PQ. It’s a shame it comes around only every four years and I’ll have to wait until 2023 to go again – maybe this artists’ conference wants a resident scientist?
We have had a fantastic and extremely busy 2018. Definite highlights have been the redevelopment of Flash Flood!, exhibiting in the Natural History Museum, and obviously, launching the Earth Arcade. In fact we have been so busy, we’re going to show you our highlights month-by-month.
We had over 80 school pupils from Newland St John’s visit us and try Flash Flood! and River in a Box as they learnt about flooding.
Our founder and SeriousGeoGamer, Chris Skinner, was awarded a University of Hull Research Excellency Award for Outstanding Impact, Outreach or Engagement, for his work with SeriousGeoGames.
In March we took Flash Flood! along to demonstrate at the Flood and Coast conference. We were part of a stand promoting our new home, the Energy and Environment Institute at the University of Hull.
The Energy and Environment Institute stand at Flood and Coast 2018.
2018 saw the first ever, unofficial, Games Day at the European Geoscience Union‘s General Assembly in Vienna, Austria. Chris Skinner convened a full science session sharing how researchers use games to research, teach, or share geosciences, and then in the evening over 200 scientists came together to play the games.
Promotional image made for the EGU Games Day 2018.
Articles featuring Flash Flood! were published in Teaching Geography and Geographical Review magazines.
In May we started putting together the kit and branding for the Earth Arcade, and its fist outing was supporting a visit of a delegation from the New Partnership for Africa’s Development (NEPAD). We even featured on the front page of their newsletter.
Chris Skinner demonstrating the Earth Arcade interactive touchtable.
The kit we put together includes five full VR stations and a large interactive touchscreen table.
Later in the month we spoke to over 500 members of the public at the Natural History Museum, as we were joined by colleagues from the University of Reading to demonstrate Flash Flood!. The event was part of the Museum’s half-term programme supporting NERC’s Operation Earth.
Demonstrating Flash Flood! at the Natural History Museum.
Chris Skinner shared Flash Flood! at the Natural History Museum with a Nature Live talk.
We were invited to participate in the Living with Water project’s Hulltimate Challenge event, and we took a copy of Flash Flood! down to Queen Victoria Square, central Hull, to support the press launch of the event. This was the first time we used the branded Earth Arcade kit in public.
We launched the Earth Arcade officially to colleagues within the University of Hull with an event held in the Map Library of the Cohen Building.
Setting up the Earth Arcade branding for the first time in the Map Library.
In September things got really busy! We started by once again teaming up with BetaJester to redevelop Flash Flood! for our new Earth Arcade kit – Vol.2 features sound effects, voice overs, improved graphics, and greater realism.
As part of the British Science Festival, hosted at the University of Hull, we took three activities down to Humber Street for an evening science street party. We demoed Flash Flood!, Humber in a Box, and our touchscreen table.
Earth Arcade assets at the British Science Festival.
At the Hull Science Festival we officially launched the Earth Arcade to the public and exhibited a mini-festival within the festival itself. In our Earth Arcade we showed the Flash Flood! Vol.2 for the first time, Plastic Ocean Fishing, Flood City – Hull, Humber in a Box, and a collection of Top Trump card games.
The first ever Earth Arcade at Hull Science Festival.
For the second time we were nominated for the HEY Digital Award for Best Use of Technology in Education, but lost out to the excellent Ron Dearing UTC.
We collaborated with colleagues across the University to use our games and research to help with teaching students, including assisting with modules in Drama, Digital Media, and Computer Science.
A delegation of flood risk practitioners from Sweden were visiting Hull to learn from the local City Council and the Living with Water project. We were invited to share Flash Flood! Vol.2 with them, and even got a tour of the Hull Tidal Barrier.
At the end of the month, Chris Skinner spoke to over 50 City of Culture volunteers about the University of Hull’s research into plastic pollution and the #MyPlasticPledge project as part of a masterclass for the launch of the Hull Refill scheme.
The big event of October was the Living with Water’s Hulltimate Challenge – a huge 10 km assault course around the centre of Hull. The Earth Arcade was a sponsor, we exhibited Flash Flood Vol.2 and Ocean Plastic Fishing, and large team from the Energy and Environment Institute successfully completed the course.
Team EEI and the Earth Arcade at the Hulltimate Challenge.
We were invited to bring the Earth Arcade to the Manchester Science Festival via a Platform for Investigation at the Manchester Museum of Science and Industry. This was our first ever plastic pollution focused event.
PI – The Problem with Plastics at Manchester Science Festival.
The University of Hull stand at Scarborough Science and Engineering Week won an award for Most Informative Exhibit, and we were pleased to be part of this stand with Flash Flood! Vol.2.
November saw Flash Flood! come home. The original Flash Flood! was produced for and funded by the NERC Flooding from Intense Rainfall (FFIR) research programme, and with the programme coming to a conclusion we were invited to provide a Games Room at the final showcase for the event at the Royal Society, London. We brought along the full set of Flash Flood Vol.2, Flood City – Hull, and were joined by games from University of Reading and Sam Illingworth of Manchester Metropolitan University.
Exhibits and the Earth Arcade at the NERC-FFIR Showcase.
The final public event of the year for us was using Flash Flood! Vol.2 to promote the Energy and Environment Institute at the Scarborough Business Day, where the keynote speaker was former Deputy Prime Minister, Lord John Prescott.
The EEI stand at Scarborough Business Day
We ended the year as we begun with a visit from pupils from local schools who used Flash Flood! Vol.2 as part of a workshop looking at flooding and geomorphology.
Finally, we were part of a team including #MyPlasticPledge and Kids Against Plastic looking at how we can all reduce the amount of plastic waste we produce at Christmas, with the 12 Days if Plastic-free Christmas.
2019 promises to be an equally busy and exciting year and will see the development of new games, including Inundation Street (an urban-based VR flood simulator), and Resilience (a collectible card game). It is also sad as we say farewell and good luck to SeriousGeoGame veteran, Chloe Morris, as she travels to Australia to start the next stage of her career – we will miss you Chloe!
Good bye Chloe… 🙁
Thank you everybody who has supported us in 2018, and a special thank you to all the volunteers who have helped us bring our games to the public – we really couldn’t do it without you.
Would it even be Christmas if you weren’t subjected to endless repeats? Christmas repeats are good though – it doesn’t matter if you’ve seen it hundreds of times the sight of Del Boy and Rodney saving the day dressed as Batman and Robin is still funny 22 years on. That’s why we are bringing you a repeat of the 12 Days of Plastic-free Christmas.
The 12 Days of Plastic-free Christmas was produced by a partnership between Earth Arcade, #MyPlasticPledge, and the Energy and Environment Institute at the University of Hull, with special contributions from Kids Against Plastic and Kate Smith. Each day we looked at a small part of Christmas, highlighted some of the plastic related issues with it, and suggested a quick, easy, and cheap way to reduce that impact. You can see each post by clicking the links below.
There is a surprising amount of plastic in wrapping paper, from labels, ribbon and glitter, to plastic infused with the paper itself. How can you be sure it’s plastic-free? Try the scrunch test or make your own.
Lucie tells us all about the plastic in wrapping paper.
Finally, the big day, and the wonderful Christmas Dinner – Turkey, potatoes, pigs-in-blankets, sprouts, and piles and piles of plastic packaging and waste. make your own canvas bag and buy loose vegetables to keep your waste to a minimum.
So that was our 12 Days of Plastic-free Christmas. If you have tried one of tips, we would love to see your efforts – feel free to share them with us either here, on our Facebook, Instagram, or Twitter.
Thank you to all who helped and contributed – Katie Parsons, Kate Smith, Flo Halstead, Freija Mendrick, Phil Bell-Young, Chris Skinner, the Meek family, Lucie Parsons, Dan Parsons, Hannah Lightley, Ellie Bartle, and Kat Sanders.